Lee "Scratch" Perry was born Rainford Hugh Perry on March 20, 1936 in Kendal, Jamaica. His work as a producer and musician is considered some of the most influential in the history of ska, reggae, and dub - Jamaican music in general, in fact. He is still alive, and resides in Switzerland.
Lee "Scratch" Perry - The Upsetter Years:
After personality conflicts caused Perry to break with Coxsone Dodd, Perry served a short stint at Joe Gibbs' studio, and eventually began his own label, Upsetter Records. His first hit single, recorded with his band The Upsetters, was called "People Funny Boy", and made two major musical innovations: first, it was a very early use of a "sample" (a clip of a sound used for effect, common in rap), and it was also the first recording of the rhythm that is now identified as reggae.
Lee "Scratch" Perry - The Black Ark Years:
In 1973, Lee "Scratch" Perry built his own recording studio, known as the Black Ark. At this point, he began focusing heavily on production, and worked with such legends as Bob Marley and the Wailers, The Heptones, and Junior Marvin. It was during his collaborations with Bob Marley that he made some of his most notable innovations.
Lee "Scratch" Perry - The Invention of Dub:
Lee "Scratch" Perry is often credited as being the inventor of dub, an off-shoot of reggae that emphasizes mixing-board remixes of instrumental songs, often with the bass and drums turned up and lots of reverb. Dub, in turn, is the predecessor of many genres of dance music, as well as hip-hop.
Lee "Scratch" Perry - The Later Years:
Eventually, Perry grew tired of the Kingston scene, particularly after Bob Marley's death. He traveled extensively, performing and recording, and eventually settled down in Switzerland. At the age of 72, he is still performing, and is known for his wild outfits and bizarre (though highly entertaining) on-stage storytelling.
Thursday, 30 June 2011
Monday, 27 June 2011
Sunday, 26 June 2011
Bob Marley History
Bob Marley was born in a small village in Jamaica on February 6, 1945. At birth he was named Nesta Robert Marley but a Jamaican passport official later swapped his first and middle names.
Bob Marley’s father was a white Jamaican of English descent and he was a Marine officer and a plantation overseer by profession. Marley’s mother was a black Jamaican. When Marley was 10 years old, his father died of a heart attack in 1955. Throughout his youth, Marley was a victim of racial prejudice because of his mixed heritage and he suffered from a racial identity crisis throughout his life.
After the death of his father, Marley moved to Kingston with his mother where he became friends
Bob Marley Basic Facts
Bob Marley was born Robert Nesta Marley on Feb. 6, 1945 in Saint Ann, Jamaica. His father, Norval Sinclair Marley, was a white Englishman and his mother, Cedelia Booker, was a black Jamaican. Bob Marley died of cancer in Miami, FL on May 11, 1981. Marley had 12 children, four by his wife Rita, and was a devout Rastafarian.
Bob Marley's father died when he was 10 years old, and his mother moved with him to Kingston's Trenchtown neighborhood after his death. As a young teen, he befriended Bunny Wailer, and they learned to play music together. At 14, Marley dropped out of school to learn the welding trade, and spent his spare time jamming with Bunny Wailer and ska musician Joe Higgs.
Bob Marley's Early Recordings and the Beginnings of the Wailers:
Bob Marley recorded his first two singles in 1962, but neither garnered much interest at the time. In 1963, he began a ska band with Bunny Wailer and Peter Tosh that was originally called "The Teenagers". Later it became "The Wailing Rudeboys", then "The Wailing Wailers", and finally just "The Wailers". Their early Studio One hits, which were recorded in the popular rocksteady style, included "Simmer Down" (1964) and "Soul Rebel" (1965), both penned by Marley.
Bob Marley Converts To Rastafarianism:
Marley married Rita Anderson in 1966, and spent a few months living in Delaware with his mother. When Marley returned to Jamaica, he began practicing the Rastafarian faith, and began growing his signature dreadlocks. As a devout Rasta, Marley partook in the ritual usage of ganja (marijuana).
Worldwide Success:
The Wailers' 1974 album Burnin' contained "I Shot The Sheriff" and "Get Up, Stand Up", both of which gathered cult followings in both the US and Europe. The same year, however, the Wailers broke up to pursue solo careers. At this point, Marley had made the full transition from ska and rocksteady to reggae.
Bob Marley & the Wailers:
Bob Marley continued to tour and record as "Bob Marley & the Wailers", though he was the only original Wailer in the group. In 1975, "No Woman, No Cry" became Bob Marley's true breakthrough hit song, and his subsequent album Rastaman Vibration became a Billboard Top 10 Album.
Bob Marley's Political and Religious Activism:
Bob Marley spent much of the late 1970s trying to promote peace and cultural understanding within Jamaica, despite being shot (along with his wife and manager, who also survived) before a peace concert. He also acted as a willing cultural ambassador for the Jamaican people and the Rastafarian religion. He holds nearly godlike status among many Jamaicans and Rastafarians worldwide.
Bob Marley's Death:
In 1977, Bob Marley found a wound on his foot, which he believed to be a soccer injury, but was later discovered to be malignant melanoma. Doctors recommended an amputation of his toe, but he refused for religious reasons. The cancer eventually spread. When he finally decided to get medical help (in 1980), the cancer had become terminal. He wanted to die in Jamaica, but could not withstand the flight home, and died in Miami. His final recording, at Pittsburgh's Stanley Theatre, was recorded and released for posterity as Bob Marley and the Wailers Live Forever.
Learn more about Bob Marley's death.
Bob Marley's Legacy:
Bob Marley is revered the world over, both as the defining figure of Jamaican music and as a spiritual leader. His wife Rita carries on his work as she sees fit, and his sons Damian "Jr. Gong", Julian, Ziggy, Stephen, Ky-Mani, as well as his daughters, Cedelia and Sharon, carry on his musical legacy (the other siblings do not play music professionally).
Honors and Awards Bestowed Upon Bob Marley:
Among the awards and honors that have been given to Bob Marley are a spot in the Rock and Roll Hall of Fame and a Grammy Lifetime Achievement Award. His songs and albums have also won numerous honors, such as Time Magazine's Album of the Century (for Exodus) and BBC's Song of the Millenium for "One Love".
Bob Marley's father died when he was 10 years old, and his mother moved with him to Kingston's Trenchtown neighborhood after his death. As a young teen, he befriended Bunny Wailer, and they learned to play music together. At 14, Marley dropped out of school to learn the welding trade, and spent his spare time jamming with Bunny Wailer and ska musician Joe Higgs.
Bob Marley's Early Recordings and the Beginnings of the Wailers:
Bob Marley recorded his first two singles in 1962, but neither garnered much interest at the time. In 1963, he began a ska band with Bunny Wailer and Peter Tosh that was originally called "The Teenagers". Later it became "The Wailing Rudeboys", then "The Wailing Wailers", and finally just "The Wailers". Their early Studio One hits, which were recorded in the popular rocksteady style, included "Simmer Down" (1964) and "Soul Rebel" (1965), both penned by Marley.
Bob Marley Converts To Rastafarianism:
Marley married Rita Anderson in 1966, and spent a few months living in Delaware with his mother. When Marley returned to Jamaica, he began practicing the Rastafarian faith, and began growing his signature dreadlocks. As a devout Rasta, Marley partook in the ritual usage of ganja (marijuana).
Worldwide Success:
The Wailers' 1974 album Burnin' contained "I Shot The Sheriff" and "Get Up, Stand Up", both of which gathered cult followings in both the US and Europe. The same year, however, the Wailers broke up to pursue solo careers. At this point, Marley had made the full transition from ska and rocksteady to reggae.
Bob Marley & the Wailers:
Bob Marley continued to tour and record as "Bob Marley & the Wailers", though he was the only original Wailer in the group. In 1975, "No Woman, No Cry" became Bob Marley's true breakthrough hit song, and his subsequent album Rastaman Vibration became a Billboard Top 10 Album.
Bob Marley's Political and Religious Activism:
Bob Marley spent much of the late 1970s trying to promote peace and cultural understanding within Jamaica, despite being shot (along with his wife and manager, who also survived) before a peace concert. He also acted as a willing cultural ambassador for the Jamaican people and the Rastafarian religion. He holds nearly godlike status among many Jamaicans and Rastafarians worldwide.
Bob Marley's Death:
In 1977, Bob Marley found a wound on his foot, which he believed to be a soccer injury, but was later discovered to be malignant melanoma. Doctors recommended an amputation of his toe, but he refused for religious reasons. The cancer eventually spread. When he finally decided to get medical help (in 1980), the cancer had become terminal. He wanted to die in Jamaica, but could not withstand the flight home, and died in Miami. His final recording, at Pittsburgh's Stanley Theatre, was recorded and released for posterity as Bob Marley and the Wailers Live Forever.
Learn more about Bob Marley's death.
Bob Marley's Legacy:
Bob Marley is revered the world over, both as the defining figure of Jamaican music and as a spiritual leader. His wife Rita carries on his work as she sees fit, and his sons Damian "Jr. Gong", Julian, Ziggy, Stephen, Ky-Mani, as well as his daughters, Cedelia and Sharon, carry on his musical legacy (the other siblings do not play music professionally).
Honors and Awards Bestowed Upon Bob Marley:
Among the awards and honors that have been given to Bob Marley are a spot in the Rock and Roll Hall of Fame and a Grammy Lifetime Achievement Award. His songs and albums have also won numerous honors, such as Time Magazine's Album of the Century (for Exodus) and BBC's Song of the Millenium for "One Love".
Biginning regae
Reggae is a genre that grew out of several other musical styles, including both traditional Jamaican music, including ska and mento, and American R&B. In the early days of radio, stations were super-high-powered, and several stations from Florida and New Orleans were powerful enough to reach Jamaica. Reggae only came about as a distinct genre in the 1960s.
info from here
Reggae is characterized by a heavy backbeated rhythm, meaning the emphasis of the beat is on, for example, beats 2 and 4, when in 4/4 time. This backbeat is characteristic of all African-based musics and is not found in traditional European or Asian music. Reggae drummers also emphasize the third beat when in 4/4 time with a kick to the bass drum.
Rastafarianism:
Rastafarianism is a religion that is very common among Jamaicans of African descent. Many of the world's most famous reggae musicians practice this religion, and therefore many reggae lyrics reflect the beliefs and traditions of Rastafarianism.
Popularity of Reggae in the United States:
Bob Marley was reggae's best-known international ambassador. From his early days in a Rocksteady band to his later years as a Rastafari convert and political activist, Bob Marley planted himself deeply into the hearts of reggae fans throughout the world. Some people consider Marley to be exclusively responsible for the popularity of reggae worldwide, but many other artists, including Jimmy Cliff and Peter Tosh, were integral to the spread of the genre.
Marijuana and Reggae:
In Rastafarian practices, marijuana is used as a sacrament; the belief is that it pulls a person closer to God. Therefore, cannabis (referred to as "Ganja" in Jamaican slang) often features prominently in reggae lyrics. Unfortunately, a few decades of American teenagers have misinterpreted this sacred ritual and use it as an excuse to partake. Not all reggae lyrics contain references to Ganja, just as not all reggae musicians are Rastafarians.info from here
reggae
reggae, style of popular music that originated in Jamaica in the late 1960s and quickly emerged as the country’s dominant music. By the 1970s it had become an international style that was particularly popular in Britain, the United States, and Africa. It was widely perceived as a voice of the oppressed.
According to an early definition in The Dictionary of Jamaican English (1980), reggae is based on ska, an earlier form of Jamaican popular music, and employs a heavy four-beat rhythm driven by drums, bass guitar, electric guitar, and the “scraper,” a corrugated stick that is rubbed by a plain stick. (The drum and bass became the foundation of a new instrumental music, dub.) The dictionary further states that the chunking sound of the rhythm guitar that comes at the end of measures acts as an “accompaniment to emotional songs often expressing rejection of established ‘white-man’ culture.” Another term for this distinctive guitar-playing effect, skengay, is identified with the sound of gunshots ricocheting in the streets of Kingston’s ghettos; tellingly, skeng is defined as “gun” or “ratchet knife.” Thus reggae expressed the sounds and pressures of ghetto life. It was the music of the emergent “rude boy” (would-be gangster) culture.
In the mid-1960s, under the direction of producers such as Duke Reid and Coxsone Dodd, Jamaican musicians dramatically slowed the tempo of ska, whose energetic rhythms reflected the optimism that had heralded Jamaica’s independence from Britain in 1962. The musical style that resulted, rock steady, was short-lived but brought fame to such performers as the Heptones and Alton Ellis.
Reggae evolved from these roots and bore the weight of increasingly politicized lyrics that addressed social and economic injustice. Among those who pioneered the new reggae sound, with its faster beat driven by the bass, were Toots and the Maytals, who had their first major hit with “54-46 (That’s My Number)” (1968), and the Wailers—Bunny Wailer, Peter Tosh, and reggae’s biggest star, Bob Marley—who recorded hits at Dodd’s Studio One and later worked with producer Lee (“Scratch”) Perry. Another reggae superstar, Jimmy Cliff, gained international fame as the star of the movie The Harder They Come (1972). A major cultural force in the worldwide spread of reggae, this Jamaican-made film documented how the music became a voice for the poor and dispossessed. Its soundtrack was a celebration of the defiant human spirit that refuses to be suppressed.
During this period of reggae’s development, a connection grew between the music and the Rastafarian movement, which encourages the relocation of the African diaspora to Africa, deifies the Ethiopian emperor Haile Selassie I (whose precoronation name was Ras [Prince] Tafari), and endorses the sacramental use of ganja (marijuana). Rastafari (Rastafarianism) advocates equal rights and justice and draws on the mystical consciousness of kumina, an earlier Jamaican religious tradition that ritualized communication with ancestors. Besides Marley and the Wailers, groups who popularized the fusion of Rastafari and reggae were Big Youth, Black Uhuru, Burning Spear (principally Winston Rodney), and Culture. “Lover’s rock,” a style of reggae that celebrated erotic love, became popular through the works of artists such as Dennis Brown, Gregory Issacs, and Britain’s Maxi Priest.
In the 1970s reggae, like ska before it, spread to the United Kingdom, where a mixture of Jamaican immigrants and native-born Britons forged a reggae movement that produced artists such as Aswad, Steel Pulse, UB40, and performance poet Linton Kwesi Johnson. Reggae was embraced in the United States largely through the work of Marley—both directly and indirectly (the latter as a result of Eric Clapton’s popular cover version of Marley’s “
The dancehall deejays of the 1980s and ’90s who refined the practice of “toasting” (rapping over instrumental tracks) were heirs to reggae’s politicization of music. These deejays influenced the emergence of hip-hop music in the United States and extended the market for reggae into the African American community. At the beginning of the 21st century, reggae remained one of the weapons of choice for the urban poor, whose “lyrical gun,” in the words of performer Shabba Ranks, earned them a measure of respectability.
According to an early definition in The Dictionary of Jamaican English (1980), reggae is based on ska, an earlier form of Jamaican popular music, and employs a heavy four-beat rhythm driven by drums, bass guitar, electric guitar, and the “scraper,” a corrugated stick that is rubbed by a plain stick. (The drum and bass became the foundation of a new instrumental music, dub.) The dictionary further states that the chunking sound of the rhythm guitar that comes at the end of measures acts as an “accompaniment to emotional songs often expressing rejection of established ‘white-man’ culture.” Another term for this distinctive guitar-playing effect, skengay, is identified with the sound of gunshots ricocheting in the streets of Kingston’s ghettos; tellingly, skeng is defined as “gun” or “ratchet knife.” Thus reggae expressed the sounds and pressures of ghetto life. It was the music of the emergent “rude boy” (would-be gangster) culture.
In the mid-1960s, under the direction of producers such as Duke Reid and Coxsone Dodd, Jamaican musicians dramatically slowed the tempo of ska, whose energetic rhythms reflected the optimism that had heralded Jamaica’s independence from Britain in 1962. The musical style that resulted, rock steady, was short-lived but brought fame to such performers as the Heptones and Alton Ellis.
Reggae evolved from these roots and bore the weight of increasingly politicized lyrics that addressed social and economic injustice. Among those who pioneered the new reggae sound, with its faster beat driven by the bass, were Toots and the Maytals, who had their first major hit with “54-46 (That’s My Number)” (1968), and the Wailers—Bunny Wailer, Peter Tosh, and reggae’s biggest star, Bob Marley—who recorded hits at Dodd’s Studio One and later worked with producer Lee (“Scratch”) Perry. Another reggae superstar, Jimmy Cliff, gained international fame as the star of the movie The Harder They Come (1972). A major cultural force in the worldwide spread of reggae, this Jamaican-made film documented how the music became a voice for the poor and dispossessed. Its soundtrack was a celebration of the defiant human spirit that refuses to be suppressed.
During this period of reggae’s development, a connection grew between the music and the Rastafarian movement, which encourages the relocation of the African diaspora to Africa, deifies the Ethiopian emperor Haile Selassie I (whose precoronation name was Ras [Prince] Tafari), and endorses the sacramental use of ganja (marijuana). Rastafari (Rastafarianism) advocates equal rights and justice and draws on the mystical consciousness of kumina, an earlier Jamaican religious tradition that ritualized communication with ancestors. Besides Marley and the Wailers, groups who popularized the fusion of Rastafari and reggae were Big Youth, Black Uhuru, Burning Spear (principally Winston Rodney), and Culture. “Lover’s rock,” a style of reggae that celebrated erotic love, became popular through the works of artists such as Dennis Brown, Gregory Issacs, and Britain’s Maxi Priest.
In the 1970s reggae, like ska before it, spread to the United Kingdom, where a mixture of Jamaican immigrants and native-born Britons forged a reggae movement that produced artists such as Aswad, Steel Pulse, UB40, and performance poet Linton Kwesi Johnson. Reggae was embraced in the United States largely through the work of Marley—both directly and indirectly (the latter as a result of Eric Clapton’s popular cover version of Marley’s “
I Shot the Sheriff” in 1974). Marley’s career illustrates the way reggae was repackaged to suit a rock market whose patrons had used marijuana and were curious about the music that sanctified it. Fusion with other genres was an inevitable consequence of the music’s globalization and incorporation into the multinational entertainment industry.
The dancehall deejays of the 1980s and ’90s who refined the practice of “toasting” (rapping over instrumental tracks) were heirs to reggae’s politicization of music. These deejays influenced the emergence of hip-hop music in the United States and extended the market for reggae into the African American community. At the beginning of the 21st century, reggae remained one of the weapons of choice for the urban poor, whose “lyrical gun,” in the words of performer Shabba Ranks, earned them a measure of respectability.
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